![]() ![]() White is bright (der…) and lively it has an‘up’ vibe to it. Yellow is bright and happy but the wrong shade can look sickly. Red is hot but can be gloomy in the right context. Red and yellow are warm by nature, signifying emotions from anger (red) to joy (yellow). Colour(and movement) add emotion to compliment the performers. Light and shade, angles and luminance are your basic building blocks. The gig of an LD is to enhance the performance in the given physical space (stage). So what has that got to do with lighting the stage? Absolutely everything. – Changes meaning and effect within differing contexts (colour combinations, surrounding environment, cultural context). – I s automatically perceived and evaluated by the viewer. ![]() (bright colours attract toddlers, nuanced colours an adult.) We’ll stick to some simple psych theories for this piece.Ĭolour psychology can be defined as “the study of hues as a determinant of human behaviour”. ROYGBIV, colour wheels, trichromatic retinal receptors, colour constancy and a host of other arcane theories and tools like Planckian Locus can mess with your head. Cyan, magenta and yellow are their opposites In art theory – red, green and blue are primary. What is Colour Psychology? And just how does it relate to the stage?
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